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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Models of Discovery and Creativity

Models of Discovery and Creativity

Meheus, Joke
Nickles, Thomas

Paperback

Series: Origins: Studies in the Sources of Scientific Creativity, Book 3

Sports GeneralHistory & Philosophy of Science

ISBN10: 9400731523
ISBN13: 9789400731523
Publisher: Springer Nature
Published: May 4 2012
Pages: 249
Weight: 0.81
Height: 0.55 Width: 6.14 Depth: 9.21
Language: English

Since the origin of the modern sciences, our views on discovery and creativity had a remarkable history. Originally, discovery was seen as an integral part of methodology and the logic of discovery as algorithmic or nearly algorithmic. During the nineteenth century, conceptions in line with romanticism led to the famous opposition between the context of discovery and the context of justification, culminating in a view that banned discovery from methodology. The revival of the methodological investigation of discovery, which started some thirty years ago, derived its major impetus from historical and sociological studies of the sciences and from developments within cognitive psychology and artificial intelligence. Today, a large majority of philosophers of science agrees that the classical conception as well as the romantic conception are mistaken. Against the classical conception, it is generally accepted that truly novel discoveries are not the result of simply applying some standardized procedure. Against the romantic conception, it is rejected that discoveries are produced by unstructured flashes of insight.

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