• Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Mothers of Invention: Feminist Authors and Experimental Fiction in France and Quebec

Mothers of Invention: Feminist Authors and Experimental Fiction in France and Quebec

Paperback

Literary Criticism

Currently unavailable to order

ISBN10: 0773524878
ISBN13: 9780773524873
Publisher: McGill-Queen's University Press
Published: Feb 20 2003
Pages: 384
Weight: 1.26
Height: 0.91 Width: 6.00 Depth: 8.88
Language: English

Mothers of Invention draws together innovative works of fiction written by French and Quebec feminists in the mid-1970s. Through an analysis of the strategies adopted by Hélène Cixous, Madeleine Gagnon, Nicole Brossard, and Jeanne Hyvrard as they rework maternal and (pro)creative metaphors and play with language and conventions of genre, Miléna Santoro identifies a transatlantic community of women writers who share a subversive aesthetic that participates in, even as it transforms, the tradition of the avant-garde in twentieth-century literature.

Santoro elucidates notoriously difficult works by the four mothers of invention studied - Cixous and Hyvrard from France, and Gagnon and Brossard from Quebec - showing how the rethinking of images associated with femininity and motherhood, a disruptive approach to language, and a subversive relation to novelistic conventions characterize these writers' search for a writing that will best express women's desires and dreams. Mothers of Invention situates such ideologically motivated textual practices within the avant-garde tradition, even as it suggests how women's experimental writings collectively transform our understanding of that tradition. Santoro makes clear the shared ethical and aesthetic commitments that nourished a transatlantic community whose contribution to mainstream literature and cultural productions, including postmodernism, is still being felt today.

Also in

Literary Criticism