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A Manual of Tempera-Painting
Paperback
General ArtPainting Instruction
ISBN13: 9781025377346
Publisher: Tradd Street Press
Published: Feb 14 2026
Pages: 192
Weight: 0.61
Height: 0.41 Width: 6.14 Depth: 9.21
Language: English
A Manual of Tempera-Painting is a definitive technical guide written by the renowned British artist and illustrator Maxwell Armfield. This comprehensive work serves as both a practical instruction manual and a passionate defense of the tempera medium, which saw a significant revival in the early 20th century. Armfield, a key figure in the tempera movement, provides meticulous details on the preparation of supports, the grinding of pigments, and the precise application of egg yolk as a binder.
The book explores the unique luminous qualities and durability that distinguish tempera from oil painting, offering insights into the historical methods used by the Old Masters while adapting them for the modern artist. Beyond mere technical advice, the author delves into the aesthetic philosophy of the medium, emphasizing clarity of line and purity of color. Whether for the practicing artist seeking to master traditional techniques or the art historian interested in the technical developments of the 1930s, A Manual of Tempera-Painting remains an essential resource. It captures a pivotal moment in art history when traditional craftsmanship was being reclaimed to provide a disciplined alternative to contemporary trends.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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