Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Made in Mexico: Tradition, Tourism, and Political Fermant in Oaxaca

Made in Mexico: Tradition, Tourism, and Political Fermant in Oaxaca

Goertzen, Chris

Paperback

AnthropologyMythology & FolkloreMexican History

ISBN10: 1617037176
ISBN13: 9781617037177
Publisher: Univ Pr Of Mississippi
Published: May 8 2013
Pages: 160
Weight: 0.54
Height: 0.44 Width: 5.50 Depth: 8.50
Language: English
This book concerns the aesthetic, political, and socio-political aspects of tourism in Southern Mexico, particularly in the state of Oaxaca. Tourists seeking authenticity buy crafts and festival tickets, and spend even more on travel expenses. Indeed, when the income from tourism falters, southern Mexico's endemic economic and social problems worsen dramatically. What does a craft object or a festival moment need to look like or sound like to please both tradition bearers and tourists in terms of aesthetics? Under what conditions are transactions between these parties psychologically healthy and sustainable. What political factors can interfere with the success of this negotiation, and what happens when the process breaks down? This is not a theoretical problem-social and political unrest cast a shadow on tourism in Oaxaca in the summer of 2006, a shadow now lifting slowly and uncertainly. Chris Goertzen begins with a case study from the neighboring state Chiapas, analyzing the nature and meaning of a single craft object, a woven pillowcase, thus previewing what the book will accomplish in greater depth in Oaxaca. He introduces the book's guiding concepts, especially concerning the types of aesthetic intensification that have replaced fading cultural contexts, and the tragic partnership between ethnic distinctiveness and oppressive politics. He then bring these concepts to bear on crafts in Oaxaca and on Oaxaca's Guelaguetza, a festival with an increasingly contested meaning that is the anchor for tourism in the state. Goertzen describes his search for crafts and customs independent of the tourist umbrella. Finally, he offers reflections and conclusions, and explores recent events, including politically motivated attacks on the Guelaguetza and thus on the tourism industry.

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