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Love Above All and Other Drawings: 120 Works
Paperback
Series: Dover Fine Art, History of Art
Drawing InstructionIndividual Artists
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ISBN13: 9780486226750
Publisher: Dover Publications
Published: Jan 17 2012
Pages: 128
Weight: 0.80
Height: 0.48 Width: 8.15 Depth: 11.03
Language: English
The locale of these 120 brilliantly satiric drawings is that of Berlin in the 1920s, but a most remarkable thing about them is their startling contemporaneity. We have to keep reminding ourselves that they were not drawn in New York, London, and Paris of the twenty-first century but in the sensation-hungry, inflation-fed milieu of the Weimar Republic.
Can prostitutes, contrary to sentimental folklore, appear smug, bloated with satisfaction, and wallowing in cheap gratification? See Transit Trade to realize the effects of mindless materialism. Schiller wrote, Swim if you can and if you are too weak, sink. Grosz takes this as his text for a compelling contrast between rich and poor in just two figures that completely refute the Übermensch doctrine. Hemingway in Nada did not depict more tellingly the utter despair of empty lives in the hour when the café closes than does Grosz in They Don't Sing Any More. Love Above All? We are only partway through this portfolio when we realize suddenly how bitterly sarcastic is the title.
But the mordant eye, angry wit, and social consciences of Grosz were shared by many of his period. What lifts his art above the transient event is his supremely eloquent use of pen and brush. No one has more expressively, piercingly, and economically, drawn the scenes of his special civilization--so strangely like ours -- than did George Grosz.
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