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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Liberty of the Imagination: Aesthetic Theory, Literary Form, and Politics in the Early United States

Liberty of the Imagination: Aesthetic Theory, Literary Form, and Politics in the Early United States

Cahill, Edward

Hardcover

Literary Criticism

Currently unavailable to order

ISBN10: 0812244125
ISBN13: 9780812244120
Publisher: Univ Of Pennsylvania Pr
Published: May 29 2012
Pages: 328
Weight: 1.41
Height: 1.20 Width: 5.90 Depth: 9.10
Language: English

In Liberty of the Imagination, Edward Cahill uncovers the surprisingly powerful impact of eighteenth-century theories of the imagination--philosophical ideas about aesthetic pleasure, taste, genius, the beautiful, and the sublime--on American writing from the Revolutionary era to the early nineteenth century. Far from being too busy with politics and commerce or too anxious about the morality of pleasure, American writers consistently turned to ideas of the imagination in order to comprehend natural and artistic objects, social formations, and political institutions. Cahill argues that conceptual tensions within aesthetic theory rendered it an evocative language for describing the challenges of American political liberty and confronting the many contradictions of nation formation. His analyses reveal the centrality of aesthetics to key political debates during the colonial crisis, the Revolution, Constitutional ratification, and the advent of Jeffersonian democracy.

Exploring the relevance of aesthetic ideas to a range of literary genres--poetry, novels, political writing, natural history writing, and literary criticism--Cahill makes illuminating connections between intellectual and political history and the idiosyncratic formal tendencies of early national texts. In doing so, Liberty of the Imagination manifests the linguistic and intellectual richness of an underappreciated literary tradition and offers an original account of the continuity between Revolutionary writing and nineteenth-century literary romanticism.

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