• Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
La Raza Cosmética: Beauty, Identity, and Settler Colonialism in Postrevolutionary Mexico

La Raza Cosmética: Beauty, Identity, and Settler Colonialism in Postrevolutionary Mexico

Paperback

Series: Critical Issues in Indigenous Studies

Indigenous StudiesMexican HistoryWomen's Studies

Currently unavailable to order

ISBN10: 0816537151
ISBN13: 9780816537150
Publisher: Univ Of Arizona Pr
Published: Oct 6 2020
Pages: 200
Weight: 0.60
Height: 0.60 Width: 6.00 Depth: 8.90
Language: English
In the decades following the Mexican Revolution, nation builders, artists, and intellectuals manufactured ideologies that continue to give shape to popular understandings of indigeneity and mestizaje today. Postrevolutionary identity tropes emerged as part of broader efforts to reunify the nation and solve pressing social concerns, including what was posited in the racist rhetoric of the time as the Indian problem. Through a complex alchemy of appropriation and erasure, indigeneity was idealized as a relic of the past while mestizaje was positioned as the race of the future. This period of identity formation coincided with a boom in technology that introduced a sudden proliferation of images on the streets and in homes: there were more photographs in newspapers, movie houses cropped up across the country, and printing houses mass-produced calendar art and postcards. La Raza Cosmética traces postrevolutionary identity ideals and debates as they were dispersed to the greater public through emerging visual culture.

Critically examining beauty pageants, cinema, tourism propaganda, photography, murals, and more, Natasha Varner shows how postrevolutionary understandings of mexicanidad were fundamentally structured by legacies of colonialism, as well as shifting ideas about race, place, and gender. This interdisciplinary study smartly weaves together cultural history, Indigenous and settler colonial studies, film and popular culture analysis, and environmental and urban history. It also traces a range of Indigenous interventions in order to disrupt top-down understandings of national identity construction and to people this history with voices that have all too often been entirely ignored.

Also in

Mexican History