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John Martin, Painter, His Life and Times
Paperback
Art HistoryArtistsIndividual Artists
ISBN13: 9781025761589
Publisher: Tradd Street Press
Published: Feb 14 2026
Pages: 360
Weight: 1.11
Height: 0.75 Width: 6.14 Depth: 9.21
Language: English
John Martin, Painter, His Life and Times provides an in-depth exploration of one of the most singular figures in British art history. Known for his sublime and apocalyptic landscapes, John Martin captivated the 19th-century imagination with his colossal depictions of biblical catastrophes and epic scenes from literature. This biography by Mary Lucy Pendered traces Martin's journey from his humble beginnings in Northumberland to his rise as a celebrated, yet often controversial, figure in the London art world.
The work examines not only his artistic output-characterized by dramatic lighting and vast architectural scale-but also his ambitious engineering projects and his influence on the cultural landscape of the Victorian era. Readers will discover the man behind the canvases of Belshazzar's Feast and The Fall of Nineveh, gaining insight into his creative process, his struggles with the Royal Academy, and his lasting legacy in the Romantic movement. Through meticulous detail, Pendered paints a vivid portrait of a visionary whose works continue to inspire awe for their sheer scale and visionary power. This volume is an essential resource for art historians and enthusiasts of Romanticism alike.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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