Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
John Cage Composing, Computing, and Curating

John Cage Composing, Computing, and Curating

Skurvida, Sandra

Hardcover

Series: Routledge Research in Art History

Art HistoryGeneral ArtGeneral Music

Currently unavailable to order

ISBN10: 1032717475
ISBN13: 9781032717470
Publisher: Routledge
Published: Jan 31 2025
Pages: 174
Language: English

This study reassesses Cage's multifaceted practice from a transdisciplinary perspective, using text as a premise for his musical, visual, lingual, and museal compositions.

In his compositions, John Cage opened the structures of music, language, and the museum to change perpetuated by chance operations. His correspondences across history with an extended circle of creators, including Erik Satie, Marcel Duchamp, and Henry David Thoreau, among many others, erased single-minded authorship via methodical processing of source material. Foreshadowing ecological recycling, Cage's late compositions for museum opened perspectives for posthuman mediation in curating and contemporary art. He conceived of anarchy as the coexistence of mutually aiding yet autonomous self-determinate entities. This book introduces Cage to the twenty-first century as a composer whose work intersects different temporalities and modes of being, the past and the present, the human and the non-human, and the individual and the communal.

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