Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Inventing Comics: A New Translation of Rodolphe Töpffer's Reflections on Graphic Storytelling, Media Rhetorics, and Aesthetic Practice

Inventing Comics: A New Translation of Rodolphe Töpffer's Reflections on Graphic Storytelling, Media Rhetorics, and Aesthetic Practice

Figueiredo, Sergio C.
Töpffer, Rodolphe

Hardcover

Series: Visual Rhetoric

Literary CriticismGeneral Graphic Novels

ISBN10: 1602358702
ISBN13: 9781602358706
Publisher: Parlor Pr Lcc
Published: Mar 1 2017
Pages: 212
Weight: 1.06
Height: 0.63 Width: 6.00 Depth: 9.00
Language: English

In English and French

In recent years, graphic novels have gained a renewed interest from a host of scholars in a diverse range of fields, including rhetoric and writing, media studies, literary studies, visual communication, graphic arts, and art history. While many of these studies reference Rodolphe TÖpffer as the inventor (or, father) of the genre, his scholarly work addressing the theoretical foundation and significance of graphic novels has remained unavailable to English-speaking audiences. Inventing Comics fills this gap by presenting a translation of two essays by TÖpffer that place the invention of graphic novels at the intersection of rhetoric, philosophy, aesthetics, and civic life.

In his role as a professor of rhetoric and belle-lettres at the Academy of Geneva, TÖpffer not only wrote popular fiction (graphic novels, novels, plays) but also a host of scholarly works addressing the relationship between aesthetics and poetics. Pulling from TÖpffer's scholarly corpus, Figueiredo argues that TÖpffer's invention of graphic novels was the manifestation of a much broader media theory, one that engaged with the social, cultural, political, and technological shifts accompanying the Industrial Revolution in the early- and mid-nineteenth century. While Figueiredo's primary focus is to situate TÖpffer in the histories of rhetoric, media studies, and the emergence of what Gregory L. Ulmer has called the apparatus of electracy, these essays also resonate with affect theory, apparatus theory, art history, graphic novels, literary studies, philosophy, sensory studies, and writing studies.

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