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Inscriptions/Transgressions: Kunstgeschichte und Gender Studies - Histoire de l'art et études genre - Art History and Gender Studies
Paperback
Series: Kunstgeschichten Der Gegenwart, Book 8
Art HistoryAnthropologyGeneral Art
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ISBN10: 3039113089
ISBN13: 9783039113088
Publisher: Peter Lang Group Ag, International Academic P
Published: Mar 17 2008
Pages: 320
Weight: 0.95
Height: 0.67 Width: 6.00 Depth: 9.00
Language: English
ISBN13: 9783039113088
Publisher: Peter Lang Group Ag, International Academic P
Published: Mar 17 2008
Pages: 320
Weight: 0.95
Height: 0.67 Width: 6.00 Depth: 9.00
Language: English
Diese Anthologie versammelt 15 Beiträge internationaler Autorinnen und Autoren, die sich mit Fragen der Einschreibung und Institutionalisierung von Gender Studies in der Disziplin Kunstgeschichte auseinander setzen. Diskutiert werden einerseits die kunsthistorische Kanonbildung und die Möglichkeiten des Zugangs von Künstlerinnen in das Kunstsystem. Anderseits werden transgressive, hybride Bilder von Weiblichkeit und Männlichkeit von der frühen Neuzeit bis in die Gegenwart untersucht sowie neuere Ansätze postkolonialer und queerer Theorie vorgestellt.
Ce volume rassemble 15 contributions d'auteur-e-s de réputation internationale qui abordent la question de l'inscription et de l'institutionnalisation des études genre dans la discipline de l'histoire de l'art. La constitution des canons artistiques, tout comme les possibilités d'accès des femmes au système artistique sont analysées. Par ailleurs, les représentations hybrides et transgressives de la féminité et de la masculinité sont interrogées de la Renaissance à nos jours, ainsi que les apports des études post-coloniales et queer.
Written by authors of international repute, the 15 articles compiled here address the inscription and institutionalisation of gender studies in the field of art history. They analyze the formation of art-historical canons and the possibilities for women of accessing the art system. Moreover, they explore transgressive, hybrid images of femininity and masculinity from the early modern times to the present. Recent approaches in post-colonial and queer theory are also discussed.
Written by authors of international repute, the 15 articles compiled here address the inscription and institutionalisation of gender studies in the field of art history. They analyze the formation of art-historical canons and the possibilities for women of accessing the art system. Moreover, they explore transgressive, hybrid images of femininity and masculinity from the early modern times to the present. Recent approaches in post-colonial and queer theory are also discussed.
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