Sign-In
Cart
I'm Glad He's Dead: Fascism Hurts
Paperback
Series: Empathy Island, Book 2
Science FictionGeneral FictionLiterary Fiction
ISBN13: 9781966014324
Publisher: Publishdrive
Published: Oct 13 2025
Pages: 124
Weight: 0.34
Height: 0.29 Width: 5.50 Depth: 8.50
Language: English
I'm Glad He's Dead: Fascism Hurts is a dystopian political novel built around testimony, grief, rage, and the afterlife of authoritarian violence. Set in a basement chamber where survivors are brought in one by one to answer a brutal question, Who are you glad is dead? the book turns confession into structure and witness into narrative force. Each chapter opens another account of damage done by men in power, by pastors, politicians, police, war planners, bureaucrats, and other enforcers of a fascist order that calls itself security, discipline, morality, or law. What emerges is not a revenge fantasy in any simple sense, but a record of what authoritarian systems do to bodies, families, memory, and language once they are allowed to rule.
The novel moves case by case through bombings, sexual violence, reproductive control, environmental destruction, religious manipulation, border brutality, and other forms of systematized harm, all filtered through a chamber narrative that gives the book its ritual intensity. The recurring question is not whether the dead deserve sympathy, but what it means when their death is the only thing that stops further damage. That makes the book morally sharp rather than morally tidy. It is interested in pain, yes, but also in naming, testimony, survival, and the difference between justice and the mere stopping of harm. This is political fiction with a severe frame: part interrogation room, part grief archive, part anti-fascist witness stand.
For readers of dystopian political fiction, anti-authoritarian literature, feminist rage fiction, chamber novels, and testimony-driven narratives, I'm Glad He's Dead offers something direct and memorable. It is stripped down in form, emotionally harsh, and built around the insistence that suffering be named plainly instead of turned into acceptable losses, policy language, or moral abstraction. Rather than asking readers to sympathize with power, it stays with the harmed, the surviving, and the ones left to speak after the damage is done.
Also from
Yarvin, Eloise
Also in
General Fiction
Elizabeth Spencer: Novels & Stories (Loa #344): The Voice at the Back Door / The Light in the Piazza / Knights and Dragons / Stories
Spencer, Elizabeth
Hardcover
Anniversaries, Volume 2: From a Year in the Life of Gesine Cresspahl, April 1968-August 1968
Johnson, Uwe
Paperback
Johnny Panic and the Bible of Dreams: Short Stories, Prose, and Diary Excerpts
Plath, Sylvia
Paperback
Selected Writings: Robert Musil: Young Torless, Three Women, the Perfecting of a Love, and Other Writings
Musil, Robert
Agee, Joel
Paperback
Before Gatsby: The First Twenty-Six Stories
Baughman, Judith
Fitzgerald, F. Scott
Bruccoli, Matthew J.
Paperback