Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Hollywood Hybrids: Mixing Genres in Contemporary Films

Hollywood Hybrids: Mixing Genres in Contemporary Films

Jaffe, Ira

Hardcover

Series: Genre and Beyond: A Film Studies

Film Studies

ISBN10: 0742539504
ISBN13: 9780742539501
Publisher: Rowman & Littlefield Publishers
Published: Oct 29 2007
Pages: 192
Weight: 0.96
Height: 0.66 Width: 6.44 Depth: 9.11
Language: English
'He wanted to move in and out of the various signature styles of all these genres_Western, melodrama, thriller, horror, ' said cinematographer Robert Richardson of Quentin Tarantino's goals in making Kill Bill: Vols. 1 & 2. Through close readings of work by major U.S. filmmakers such as Tarantino, David Lynch, Errol Morris, Todd Haynes, and Joel and Ethan Coen, Hollywood Hybrids studies provocative, disorienting strategies of genre mixing in contemporary cinema. The book also investigates foreign parallels to U.S. hybrid cinema in films by such directors as Pedro Almod-var (Spain) and Stephen Chow (Hong Kong). Rather than explore genre primarily from the standpoint of movie critics, producers, marketers, and spectators, Hollywood Hybrids focuses on genre mixing as a key creative interest motivating celebrated filmmakers. The book thus relates genre to auteur theory. Hollywood Hybrids also links recent hybrid cinema to earlier instances of hybrid form in film and other arts, including painting, music, literature, and architecture. The book concludes that hybrid films allude not only to multiple films and genres, but also to hybrid features of consciousness and identity that increasingly heighten as well as complicate human experience.

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