Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
612-822-4611

  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Henry Wilson: Practical Idealist

Henry Wilson: Practical Idealist

Manton, Cyndy

Paperback

Artists

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ISBN10: 0718830970
ISBN13: 9780718830977
Publisher: Lutterworth Press
Published: May 28 2009
Pages: 284
Weight: 2.25
Height: 1.10 Width: 7.60 Depth: 9.60
Language: English
Henry Wilson (1864 - 1934) worked in a highly individual style, uniting influences from the Arts & Crafts Movement and Art Nouveau with his own interpretation of traditional forms, symbols and nature. Drawing on original archives, biographical details and insights from family members, this is the first published study devoted wholly to Wilson and his work. This book discusses examples of his work throughout the UK and in North America, where he designed the bronze entrance doors for a leading Boston tea importer and the great West doors of the Cathedral of St. John the Divine, New York. Of equal impact were his exhibition designs, and his influential teaching at the Royal College of Art, at the Central School of Arts and Crafts, and at theVittoria Street School for Silversmiths and Jewellers in Birmingham. He began his career as Chief Assistant to the Gothic Revival architect J. D. Sedding, but felt increasingly drawn to the associated arts: church furnishings, sculpture, metalworking and jewellery. His remarkable achievements in these fields range from the breathtaking green marble fittings of St. Bartholomewis Church in Brighton, to the monumental Elphinstone Tomb in Aberdeen, and from strikingly original schemes of interior decoration and plans for a post-War craft village, to vibrant jewellery glowing with enamel and semi-precious gems. His role as Master of the Art Workers Guild (1917) and as President of the Arts and Crafts Exhibition Society (1915-22) serve to confirm his significance in the context of early-twentieth century design and education.

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