• Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
The Homo and the Negro

The Homo and the Negro

Paperback

AnthropologyGLBTQIA StudiesArt & Popular Culture

ISBN10: 1935965484
ISBN13: 9781935965480
Publisher: Counter-Currents Publishing
Published: Oct 22 2012
Pages: 202
Weight: 0.67
Height: 0.46 Width: 6.00 Depth: 9.00
Language: English
James J. O'Meara's The Homo and the Negro brings a queer eye to the overwhelmingly homophobic Far Right. In his title essay, O'Meara argues that the Far Right cannot effectively defend Western civilization unless it checks its premises about homosexuality and non-sexual forms of male bonding, which are undermined not just by liberals and feminists, but also by Judeo-Christian family values advocates. O'Meara also uses his theory to explain the stigmatization of Western high culture as gay and the worship of uncultured oafs as masculine ideals. Although O'Meara grants that the gay rights movement is largely subversive, he argues that homosexuals have traditionally played prominent roles in creating and conserving Western civilization. The Homo and the Negro collects 14 pieces on such topics as conservatism, homosexuality, race, fashion, Occupy Wall Street, Mad Men, The Gilmour Girls, The Untouchables, The Big Chill, They Live, popular music (Heavy Metal, Black Metal, New Age, Scott Walker), and such figures as Noël Coward, Oscar Wilde, and Humphrey Bogart. Shaped by an eccentric, post-WWII American upbringing, O'Meara draws upon masculinist writers like Hans Blüher, Alisdair Clarke, and Wulf Grimsson, as well as the Traditionalism of René Guénon, Julius Evola, and Alain Daniélou.

1 different editions

Also available

Also in

Anthropology