Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Historicizing Fat in Anglo-American Culture

Historicizing Fat in Anglo-American Culture

Levy-Navarro, Elena

Paperback

Literary CriticismGeneral GLBTQIA FictionGeneral Sociology

ISBN10: 0814257356
ISBN13: 9780814257357
Publisher: Ohio State University Press
Published: Oct 9 2020
Pages: 268
Weight: 0.87
Height: 0.61 Width: 6.00 Depth: 9.00
Language: English

Historicizing Fat in Anglo-American Culture, edited by Elena Levy-Navarro, is the first collection of essays to offer a historical consideration of fat bodies in Anglophone culture. The interdisciplinary essays cover periods from the medieval to the contemporary, mapping out a new terrain for historical consideration. These essays question many of the commonplace assumptions that circulate around the category of fat: that fat exists as a natural and transhistorical category; that a premodern period existed which universally celebrated fat and knew no fatphobia; and that the thin, youthful body, as the presumptively beautiful and healthy one, should be the norm by which to judge other bodies.

The essays begin with a consideration of the interrelationship between the rise of weight-watching and the rise of the novel. The essays that follow consider such wide-ranging figures as the fat child's body as a contested site in post-Blair U.K. and in Lord of the Flies; H. G. Wells; Wilkie Collins's subversively performative Fosco; Ben Jonson; the voluptuous Lillian Russell; Shakespeare's Venus and Adonis; the opera diva; and the fat feminist activists of recent San Francisco. In developing their histories in a self-conscious way that addresses the pervasive fatphobia of the present-day Anglophone culture, Historicizing Fat suggests ways in which scholarship and criticism in the humanities can address, resist, and counteract the assumptions of late modern culture.

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