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The History of the Royal Society of Painter-Etchers & Engravers
Paperback
ISBN13: 9781025718712
Publisher: Tradd Street Press
Published: Feb 14 2026
Pages: 278
Weight: 0.87
Height: 0.58 Width: 6.14 Depth: 9.21
Language: English
The History of the Royal Society of Painter-Etchers & Engravers 1880-1930 provides a comprehensive and authoritative account of one of Britain's most influential artistic institutions during a pivotal era for printmaking. Written by Sir Francis Newbolt, a dedicated member and chronicler of the Society, this work meticulously charts the organization's development from its founding in 1880 through its first fifty years of existence.
The book explores the revival of etching as a primary medium for original artistic expression, moving beyond its traditional role in reproduction. Readers will find detailed insights into the Society's efforts to achieve royal recognition, its internal governance, and its influential exhibitions that shaped public taste and professional standards. Newbolt highlights the contributions of key figures who championed the cause of the painter-etcher, emphasizing the technical mastery and creative vision required to excel in the graphic arts.
As a vital record of the British art world, The History of the Royal Society of Painter-Etchers & Engravers 1880-1930 serves as both a historical narrative and a tribute to the craft of engraving. It is an essential resource for art historians, collectors, and printmakers interested in the institutional and cultural forces that elevated printmaking to a respected fine art form in the late nineteenth and early twentieth centuries.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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