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Harmony, Counterpoint, Partimento: A New Method Inspired by Old Masters
Paperback
Music Instruction: GeneralGospelMusic Theory
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ISBN10: 0190695013
ISBN13: 9780190695019
Publisher: Oxford University Press
Published: Dec 24 2018
Pages: 416
Weight: 1.85
Height: 1.10 Width: 6.90 Depth: 9.90
Language: English
ISBN13: 9780190695019
Publisher: Oxford University Press
Published: Dec 24 2018
Pages: 416
Weight: 1.85
Height: 1.10 Width: 6.90 Depth: 9.90
Language: English
A new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios. A textbook in three parts, the package includes: - the hardcopy text, providing essential stylistic and technical information and repertoire discussion;
- an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions;
- an online instructor's manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.
- an online instructor's manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.
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