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Gonzo Neurotic: The Best (and Not So Best) of Jerry Stahl
Paperback
Biographies GeneralLetters & EssaysWriting Instruction
Publisher Price: $24.00
Publisher: ZE Books
Published: Sep 29 2026
Pages: 456
Weight: 1.40
Height: 1.70 Width: 5.90 Depth: 8.80
Language: English
Jerry Stahl should either get the Pulitzer prize or be shot down in the street like a dog. --Anthony Bourdain
[A] career-spanning collection . . . Stahl is funny, self-aware and very much in on his own 'professional ex-junkie' act . . . But he's a more sober observer than he lets on . . . Stahl is his own vivid comic invention. Life whooshes past him like arrows, and some of those arrows stick in his guts.
--Dwight Garner, The New York Times Book Review
Fifty years of sex, drugs, show business, and bad behavior from the inimitable laureate of American excess, Jerry Stahl.
Long before descending into the underworld of addiction in Permanent Midnight--the memoir, and later film, that made him famous--Jerry Stahl had built a singular career reporting from America's psychic gutters and cultural sideshows. Ricocheting from porn sets, televangelists, undertaker conventions, recovery culture, and all manner of Hollywood grotesquerie, he fearlessly explored the darker territory of heroin, fatherhood, Jewish identity, and survival. Stahl's work has always been electric--but much of it had lain buried in the lost world of Alt-weeklies and pre-internet magazines, decimated by the digital corporate ogre.
Now, in Gonzo Neurotic, Stahl brings together the New Journalism that shaped his singular voice, interlaced with his own wild-ass commentary on his youthful lunacy and catastrophic life choices. Spanning the 1970s to the 2020s, the book takes readers from the 'wet heart of Pageantland' at the Miss America contest, to the twisted realms of post-nuclear cult erotica, to the TV Show ALF, and to the extremes of midnight moviedom. Simultaneously, Stahl charts his own mental and physical struggles alongside profiles of such figures as Marlon Brando, Samuel Jackson, Benicio del Toro, and an enterprising brothel owner who opted for the professional name Hillary. The result is a sharp, wickedly funny, and ultimately cathartic reckoning with a half-century of cultural and personal upheaval.
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