Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Feh: A Memoir

Feh: A Memoir

Auslander, Shalom

Hardcover

Biographies GeneralHumorJudaism

Publisher Price: $29.00

ISBN10: 0735213267
ISBN13: 9780735213265
Publisher: Riverhead Books
Published: Jul 23 2024
Pages: 368
Weight: 1.25
Height: 1.40 Width: 6.10 Depth: 9.10
Language: English
Winner of the Thurber Prize for American Humor

From the acclaimed author of Foreskin's Lament, a memoir of the author's attempt to escape the biblical story he'd been raised on and his struggle to construct a new story for himself and his family

Shalom Auslander was raised like a veal in a dysfunctional family in the Orthodox community of Monsey, New York: the son of an alcoholic father; a guilt-wielding mother; and a violent, overbearing God. Now, as he reaches middle age, Auslander begins to suspect that what plagues him is something worse, something he can't so easily escape: a story. The story. One indelibly implanted in him at an early age, a story that told him he is fallen, broken, shameful, disgusting, a story we have all been told for thousands of years, and continue to be told by the religious and secular alike, a story called Feh.

Yiddish for Yuck.

Feh follows Auslander's midlife journey to rewrite that story, a journey that involves Phillip Seymour Hoffman, a Pulitzer-winning poet, Job, Arthur Schopenhauer, GHB, Wolf Blitzer, Yuval Noah Harari and a pastor named Steve in a now-defunct church in Los Angeles.

Can he move from Feh to merely meh? Can he even dream of moving beyond that?

Auslander's recounting of his attempt to exorcize the story he was raised with--before he implants it onto his children and/or possibly poisons the relationship of the one woman who loves him--isn't sacred. It is more-than-occasionally profane. And like all his work, it is also relentlessly funny, subversively heartfelt and fearlessly provocative.

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