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Les Parrains Du Son: Enquête Critique Sur Les Pouvoirs Légaux de l'Industrie Musicale
Paperback
Series: Résonances, Book 1
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Publisher: Independently Published
Pages: 456
Weight: 1.73
Height: 0.92 Width: 7.00 Depth: 10.00
Language: French
La musique arrive à nous comme une émotion. Une voix, un refrain, un souvenir qui revient au mauvais moment et fait semblant d'être innocent. LES PARRAINS DU SON descend derrière cette émotion pour regarder ce qu'elle traverse avant d'arriver jusqu'à l'oreille: machines, contrats, labels, majors, droits musicaux, plateformes, playlists, catalogues, algorithmes et propriétaires très bien coiffés.
Jean Chordal ne raconte pas l'industrie musicale comme une galerie de méchants de dessin animé. Le mot parrains n'accuse pas un crime. Il désigne une mécanique plus propre, donc plus difficile à voir: protection, accès, dépendance, contrôle. Celui qui ouvre la porte peut aussi fixer le prix du passage. Un label peut révéler une voix et posséder son master. Une avance peut permettre un album et fabriquer une dette. Une plateforme peut rendre un morceau disponible partout et invisible presque nulle part.
De la naissance du son enregistré au streaming, du phonographe aux catalogues vendus comme des immeubles, ce livre suit la même question: qui contrôle le chemin entre l'artiste, l'oeuvre et le public ? Premiers labels, radio, blues, jazz, country, rock, Motown, indépendants, punk, hip-hop, MTV, majors, CD, royalties, recoupement, 360 deal, Napster, iTunes, SoundCloud, Bandcamp, playlists, déréférencement, démonétisation, artistes transformés en créateurs de contenu, intelligence artificielle et voix synthétiques: le décor change, le péage reste.
LES PARRAINS DU SON n'est pas un livre contre la musique. C'est un livre contre l'amnésie confortable qui fait croire qu'une chanson circule seule parce qu'elle est belle. La beauté n'annule pas les contrats. Le succès ne garantit pas la liberté. Et l'accès illimité n'a jamais voulu dire que les artistes étaient enfin maîtres du jeu.
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