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Les conflits de la musique française: 1940-1965
Paperback
ISBN13: 9782213609263
Publisher: Fayard
Published: May 3 2001
Pages: 414
Weight: 1.25
Height: 0.85 Width: 6.02 Depth: 9.25
Language: French
1940: Olivier Messiaen compose en captivité le Quatuor pour la fin du temps. 1965: Et exspecto resurrectionem mortuorum, commande d'Etat pour commémorer les victimes des deux guerres mondiales, est jouée en la cathédrale de Chartres devant le général de Gaulle, président de la République. En ce quart de siècle où Olivier Messiaen est passé du statut de compositeur révolutionnaire à celui de musicien officiel, la France aura connu sa période historique et sociale la plus conflictuelle, et la vie musicale son époque la plus tumultueuse, la plus troublée, la plus sectaire, mais peut-être aussi la plus diverse et la plus inventive.
L'électronique entre en jeu, l'espace sonore se multiplie avec l'appa-rition de la stéréophonie, la disposition traditionnelle de l'orchestre est remise en cause... A ces chamboulements inquiétants, les tenants du système tonal opposent une résistance farouche, et le milieu musical français, dans cet intervalle de vingt-cinq années, offre, entre Société nationale et Domaine musical, l'image d'une redoutable guerre de tranchées, d'un combat sans merci entre anciens et modernes .
En trois étapes, musique occupée, musique libérée, musique éclatée, ce livre retrace la trajectoire singulière de cette période foisonnante et belliqueuse. Réalisateur de films, en particulier sur la musique, conseiller musical de divers cinéastes dont François Truffaut, François Porcile est l'auteur de plusieurs ouvrages sur les liens qui unissent les univers de la musique et du cinéma. Ce livre fait suite à La Belle Epoque de la musique française (1871-1940).
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