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Dracula - Bram Stoker et Francis Ford Coppola: Bram Stoker et Francis Ford Coppola
Paperback
ISBN13: 9782200345143
Publisher: Armand Colin
Published: Oct 20 2005
Pages: 180
Weight: 0.56
Height: 0.38 Width: 6.02 Depth: 9.25
Language: French
Comme Frankenstein, Dracula est un grand mythe qui a relégué le roman au second plan; il faut y revenir pour en déchiffrer l'idée centrale: The Blood is the Life . En incorporant les différentes exégèses méthodologiques, le parcours proposé restitue au roman son statut littéraire, par-delà le soupçon de littérature populaire , pour rendre hommage à la langue et aux langages de Dracula qu'une optique déconstructionniste fera mieux apparaître.
Le film de Coppola emprunte beaucoup de matière narrative à Stoker - personnages, lieux, événements. Mais il est évident qu'il repose sur un merveilleux contresens délibéré et que le vampire achève ici une trajectoire dessinée par le siècle: il devient aimable, au coeur d'un récit qui doit moins au gothique qu'au merveilleux. Ces mises en miroir soulèvent de nombreuses questions sur le retour et l'appropriation des mythes, sur le travail de chaque époque devant son propre regard et sur les relations entre le mythe et l'esthétique.
Max DUPERRAY, professeur à l'université de Provence, est un spécialiste de la littérature fantastique. Il a publié notamment Lecture de Frankenstein (PU Rennes), Le roman noir anglais dit gothique (Ellipses), La folie et la méthode: essai sur la déréalisation en littérature (L'Harmattan), Les Confessions de Thomas De Quincey (Armand Colin), Londres: promenade sous un ciel couvert (Ed Michel Houdiard).
Dominique SIPIÈRE est agrégé d'anglais, docteur ès lettres et professeur des universités (université du Littoral). Président honoraire de la SERCIA (Société d'études et de recherches sur le cinéma anglophone), il est spécialiste de cinéma classique hollywoodien (Alfred Hitchcock). Il a récemment publié des ouvrages sur le Crime au cinéma (USA), Elia Kazan et Dracula (Ellipses, 2005).
Cet ouvrage est le fruit de la collaboration entre les éditions Armand Colin et le Centre National d'Enseignement à Distance, établissement public d'enseignement qui dispense des formations de tous niveaux à plus de 350 000 inscrits répartis dans le monde entier.
Cette contribution scientifique d'enseignants chercheurs de l'Université française s'intègre dans les préparations assurées par le CNED aux CAPES et aux agrégations d'anglais qui comprennent aussi des conseils méthodologiques et des entraînements aux épreuves des concours avec correction personnalisée.
Le terreau de Dracula: explications contextuelles. Le voyage de Dracula: effets de structure, effets de signification. Re-reading the Gothic as degeneracy. Dracula's brave men and good women characterization between the allegorical and the interactive. Qui (ne) parle (pas) dans le texte ? Les silences de Dracula. Blood, gold, food and language: depletion and repletion. The genesis of the film. A century with Dracula. L'adaptation: définitions et enjeux. L'écriture cinématographique. De quoi parle Bram Stoker's Dracula ? Coups de coeur ?
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