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Cannibales, tombeaux et pendus: Trois thèmes de chants populaires
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ISBN10: 1548925764
ISBN13: 9781548925765
Publisher: Createspace
Published: Jul 16 2017
Pages: 240
Weight: 0.72
Height: 0.51 Width: 6.00 Depth: 9.00
Language: French
ISBN13: 9781548925765
Publisher: Createspace
Published: Jul 16 2017
Pages: 240
Weight: 0.72
Height: 0.51 Width: 6.00 Depth: 9.00
Language: French
Trois pièces recueillies par le grand collecteur de chants anciens en langue bretonne Théodore de La Villemarqué, illustrent trois procédés auxquels recourt la muse populaire lorsqu'elle traite un thème donné Les matelots qui n'ont pas été jugés dignes d'entrer dans ce Panthéon des ballades bretonnes qu'est le Barzhaz-Breizh, témoignent de l'usure des thèmes. Avec le temps, des chants tragiques passent dans le registre de la parodie et de l'ironie et terminent leur carrière dans le répertoire des simples chants enfantins. Dans Les miroirs d'argents on voit à l'oeuvre un second processus: la combinaison de thèmes. S'entrecroisent dans ce court chant l'antique malédiction des carrefours, la quête des prières de nombreux passants, la notion de purgatoire, l'idée qu'une mort atypique requiert une tombe atypique... Notre-Dame du Folgoët montre, enfin, l'appropriation, par la Basse-Bretagne, de traditions transposées du pèlerinage de Compostelle: la ruse de Joseph, les miracles du pendu maintenu en vie et du coq ressuscité. De nouvelles notions telles que la manifestation de la vérité par l'ordalie ou la hantise de l'infanticide viennent enrichir ces données de départ. L'auteur, Christian Souchon, a déjà consacré un ouvrage aux chants anciens sur le thème de La mort cachée à l'épouse. Il s'est en outre penché sur les Mystères du Barzhaz Breizh dans une étude en trois volumes qui complète une présentation des Chants de Keransquer.
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