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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Formulas of Repetition in Dante's Commedia: Signposted Journeys Across Textual Space

Formulas of Repetition in Dante's Commedia: Signposted Journeys Across Textual Space

Howard, Lloyd H.

Hardcover

Literary CriticismPoetry Criticism

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ISBN10: 0773521925
ISBN13: 9780773521926
Publisher: Mcgill Queens Univ Pr
Published: May 1 2001
Pages: 208
Weight: 1.04
Height: 0.91 Width: 6.30 Depth: 9.39
Language: English

In this first book-length study on recurrent linguistic patterns or formulas scattered across the textual space of Dante's Commedia, Lloyd Howard links the episodes in which they are found, guiding the reader to conclusions about what are often key points in the poem's meaning. He shows that such conclusions can be drawn only after a re-examination of the context that surrounds these linguistic signposts.

Formulas are usually understood as rhetorical devices that are found in close textual proximity and, because they are intended for emphasis, cannot possibly escape the notice of the reader. The formulas Howard traces in this study are far more difficult to find because they are hidden deep in the structure of the Commedia and at considerable distances from one another. For example, Howard demonstrates that when the reader notes that the formula ne l'etterno essilio - in eternal exile - re-occurs in Purgatorio 21 accompanied by the same rhyme words as when it first appears in Inferno 23, it is a sign that these two episodes can be linked for further interpretation, despite the 32 cantos of intervening textual space.

In the most general sense it is possible to define two principle ways of approaching the Commedia: one that examines specific episodes or cantos in isolation and one that follows the overt journey of Dante the pilgrim through the three realms of the afterlife. The approach offered in Formulas of Repetition in Dante's Commedia differs from both traditional ways of reading Dante, pursuing an alternate path outside the chronology set out in the Commedia - from the dark wood to the empyrean - and outside the canto order first Inferno, then the Purgatorio, and lastly the Paradiso.

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