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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
The Fantastic Vampire: Studies in the Children of the Night--Selected Essays from the Eighteenth International Conference on the Fantastic in

The Fantastic Vampire: Studies in the Children of the Night--Selected Essays from the Eighteenth International Conference on the Fantastic in

Holte, James Craig
Holte, James Craig

Hardcover

Series: Contributions to the Study of Science Fiction & Fantasy, Book 91

Literary CriticismGeneral Sociology

ISBN10: 0313309337
ISBN13: 9780313309335
Publisher: Praeger
Published: Mar 30 2002
Pages: 176
Weight: 0.90
Height: 0.73 Width: 6.08 Depth: 9.54
Language: English

Wherever vampires existed in the imaginations of different peoples, they adapted themselves to the customs of the local culture. As a result, vampire lore is extremely diverse. So too, representations of the vampire in creative works have been marked by much originality. In The Vampyre (1819), John Polidori introduced Lord Ruthven and established the vampire craze of the 19th century that resulted in a flood of German vampire poetry, French vampire drama, and British vampire fiction. This tradition culminated in Bram Stoker's Dracula (1897), which fixed the character of the Transylvanian nobleman as the archetypal vampire firmly in the public imagination. Numerous films drew from Stoker's novel to varying degrees, with each emphasizing different elements of his vampire character. And more recent writers have created works in which vampirism is used to explore contemporary social concerns.

The contributors to this volume discuss representations of the vampire in fiction, folklore, film, and popular culture. The first section includes chapters on Stoker and his works, with attention to such figures as Oscar Wilde and Edvard Munch. The second section explores the vampire in film and popular culture from Bela Lugosi to Blacula. The volume then looks at such modern writers as Anne Rice and Chelsea Quinn Yarbro who have adapted the vampire legend to meet their artistic needs. A final section studies contemporary issues, such as vampirism as a metaphor for AIDS in Killing Zoe.

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