Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
The Eye and the Beholder: The Depiction of the Eye in Western Sculpture with Special Reference to the Period 1350-1700 and to Colour in Sculpture

The Eye and the Beholder: The Depiction of the Eye in Western Sculpture with Special Reference to the Period 1350-1700 and to Colour in Sculpture

Hägele, Hannelore

Hardcover

Art HistoryToys & ModelsSculpting

Currently unavailable to order

ISBN10: 1443858188
ISBN13: 9781443858182
Publisher: Cambridge Scholars Publishing
Pages: 343
Weight: 1.15
Height: 0.80 Width: 6.10 Depth: 9.10
Language: English
In The Eye and the Beholder the author singles out a topic already touched upon in her previous book, Colour in Sculpture. By raising the question of how significant the colouring of the eye is to figurative representations of the late medieval and early modern period, Hannelore Hagele examines the different solutions open to the sculptor, which vary depending on historical and cultural parameters. The created eye must suit purpose and style. She discusses a number of unusual aspects of this: sculpted eyes in antiquity; the art and craft of polychromy; partial polychromy; emotions and expressions; the gaze and the glance; from the sculpted eye to colour and the glass eye; and what the eye cannot see. Dr. Hagele asks whether advances in optics and other sciences, or theological concepts such as the eye of God and the inner eye, determined the way in which eyes were perceived and represented. It is the beholder, whether as maker or viewer, who engages with and judges the worth of any creative effort and what it contributes to an understanding of the seen and the unseen. The illustrations and the many coloured plates accompanying the text offer an overview of the subject.

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