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Dialogues du temps présent
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ISBN10: 2310041963
ISBN13: 9782310041966
Publisher: Amalthee
Published: Apr 10 2019
Pages: 218
Weight: 0.58
Height: 0.46 Width: 5.83 Depth: 8.27
Language: French
ISBN13: 9782310041966
Publisher: Amalthee
Published: Apr 10 2019
Pages: 218
Weight: 0.58
Height: 0.46 Width: 5.83 Depth: 8.27
Language: French
Changeons-nous de civilisation ?
Voit-on la musique ?
Comment traiter le risque ?
Que fait-on des mémoires collectives ?
La parole ou l'écrit ?
J.-S. Bach et l'infini ?
Construire des murs ?
Pourquoi chercher le pourquoi ?
Faut-il tomber le masque ?
La photo, oeuvre d'art ?
Y a-t-il une pensée interdite ?
Michel Laury pose ces questions parmi bien d'autres et exprime ses pensées sur de nombreux événements qui ont marqué ces dernières décennies. À travers des sujets qui concernent aussi bien la société, l'histoire, la morale et les arts, il apporte une réflexion salutaire suscitant la discussion.
S'inspirant des Grecs, il choisit la forme du dialogue pour confronter ses idées à celle d'un ami, contradicteur imaginaire. Il propose ainsi sa propre critique avant que le lecteur ne développe la sienne.
En livrant ici un dixième ouvrage d'un style fort différent,
Michel Laury démontre son éclectisme et son habileté à aborder
différents types d'oeuvres et à traiter de multiples sujets.
Voit-on la musique ?
Comment traiter le risque ?
Que fait-on des mémoires collectives ?
La parole ou l'écrit ?
J.-S. Bach et l'infini ?
Construire des murs ?
Pourquoi chercher le pourquoi ?
Faut-il tomber le masque ?
La photo, oeuvre d'art ?
Y a-t-il une pensée interdite ?
Michel Laury pose ces questions parmi bien d'autres et exprime ses pensées sur de nombreux événements qui ont marqué ces dernières décennies. À travers des sujets qui concernent aussi bien la société, l'histoire, la morale et les arts, il apporte une réflexion salutaire suscitant la discussion.
S'inspirant des Grecs, il choisit la forme du dialogue pour confronter ses idées à celle d'un ami, contradicteur imaginaire. Il propose ainsi sa propre critique avant que le lecteur ne développe la sienne.
En livrant ici un dixième ouvrage d'un style fort différent,
Michel Laury démontre son éclectisme et son habileté à aborder
différents types d'oeuvres et à traiter de multiples sujets.
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