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Stichtelyke zinnebeelden gepast op deugden en ondeugden in LVII tafereeellen vertoont
Paperback
Fiction AnthologiesEuropean ArtGeneral European History
ISBN13: 9781179564012
Publisher: Nabu Press
Published: Sep 4 2011
Pages: 286
Weight: 0.89
Height: 0.60 Width: 6.14 Depth: 9.21
Language: Dutch
Stichtelyke zinnebeelden gepast op deugden en ondeugden in LVII tafereeellen vertoont, published in 1722, is a collection of moral emblems and allegorical illustrations by Arnold Houbraken, Willem Barents, and Gezine Brit. This work presents fifty-seven scenes depicting virtues and vices, offering a visual and moral guide for its readers. Each illustration is designed to inspire reflection on ethical behavior and the consequences of moral choices.
The book serves as a fascinating example of Dutch art and moral instruction in the early 18th century. The detailed engravings and symbolic imagery provide insight into the period's values and beliefs, making it a valuable resource for those interested in religious art, emblem books, and the cultural history of the Netherlands. The collaboration between Houbraken, Barents, and Brit ensures a rich and diverse artistic perspective, making this work a significant contribution to the genre of moral and religious allegory.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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