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The darkest night: the Barbacena Asylum: an Auschwitz in the heart of Brazil.
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ISBN13: 9798185483558
Publisher: Independently Published
Pages: 372
Weight: 1.09
Height: 0.83 Width: 6.00 Depth: 9.00
Language: English
Publisher: Independently Published
Pages: 372
Weight: 1.09
Height: 0.83 Width: 6.00 Depth: 9.00
Language: English
Could love survive in an environment where the most absolute and degrading dehumanization prevailed?
At the Hospital Colônia de Barbacena-an asylum in Minas Gerais-crimes so horrific were committed that Italian psychoanalyst Franco Basaglia went so far as to liken the institution to a Nazi concentration camp.
At the Hospital Colônia de Barbacena-an asylum in Minas Gerais-crimes so horrific were committed that Italian psychoanalyst Franco Basaglia went so far as to liken the institution to a Nazi concentration camp.
At its peak, the asylum housed a population of over five thousand inmates; 60,000 people-deemed human trash by the government and society-died there in total abandonment.
In a single night, seventeen patients succumbed to the biting cold and perished.
The infrastructure was abysmal: there was no sanitation system, no running water, and the open sewage flowing within the hospital grounds served as the source where many bathed and drank. A single syringe was used to administer injections to hundreds of patients.
Children-especially babies-were given away or sold by corrupt staff members. In a desperate attempt to prevent their babies from being taken, mothers would smear themselves with feces to keep the staff from approaching.
This Latin Auschwitz interned not only the mentally ill but also those deemed undesirable political dissidents, politicians' mistresses, unwed mothers, alcoholics, epileptics, unwanted children, questioning youths, rape victims, Black people, prostitutes, homosexuals, beggars, the undocumented-anyone belonging to social groups categorized as misfits.
The system became so destructive that even shy men and independent women-those with leadership qualities or who questioned institutions like marriage-were forcibly committed.
Around 70% of the inmates had no diagnosis of any mental illness.
There is no record of cures, nor any history of recovery within the asylum. The unit's objective shifted away from treatment, therapy, and medicine, focusing instead on aspects such as containment and control.
Electroshock and the Scottish shower became strategies for intimidation and punishment; a staff member merely had to dislike a patient's face for an electroshock session to begin.
In the play's final act, a character asks questions that will echo into eternity:
Will the world know what happens here, at the Colônia Hospital in Barbacena-a stain that will shame humanity forever? Will the criminals who dared to build a devil's abode on earth pay for their crimes? Will the families and the society that turned a blind eye, covering up the vilest and most absolute inhumanity with their silence, pay for these crimes? Or will the usual martyrs remain forever trapped in their role as eternal victims? While the world imagined it had freed itself from the Holocaust, a new Auschwitz was erected right in the heart of Brazil-in plain sight, in broad daylight-and will no one pay for it? No one? Since the dawn of the universe and the world, since man broke free from the ape and traded the trees for solid ground, there has never been a night so cruel and infamous; of them all, this is the darkest night.
It is within this context of terror and utter madness that the author navigates a love story. Two young students-hopelessly in love and struggling to find the oxygen to keep hope alive-move amidst political conflicts, crimes against humanity, murders, and filicides.
The work explores a question that has intrigued lovers since time immemorial: to what extent can love survive in an environment dominated by the most absolute and degrading dehumanization? Author
Access dozens of books by Antônio Carlos dos Santos on Amazon: https: //www.amazon.com/author/antoniosantos
In a single night, seventeen patients succumbed to the biting cold and perished.
The infrastructure was abysmal: there was no sanitation system, no running water, and the open sewage flowing within the hospital grounds served as the source where many bathed and drank. A single syringe was used to administer injections to hundreds of patients.
Children-especially babies-were given away or sold by corrupt staff members. In a desperate attempt to prevent their babies from being taken, mothers would smear themselves with feces to keep the staff from approaching.
This Latin Auschwitz interned not only the mentally ill but also those deemed undesirable political dissidents, politicians' mistresses, unwed mothers, alcoholics, epileptics, unwanted children, questioning youths, rape victims, Black people, prostitutes, homosexuals, beggars, the undocumented-anyone belonging to social groups categorized as misfits.
The system became so destructive that even shy men and independent women-those with leadership qualities or who questioned institutions like marriage-were forcibly committed.
Around 70% of the inmates had no diagnosis of any mental illness.
There is no record of cures, nor any history of recovery within the asylum. The unit's objective shifted away from treatment, therapy, and medicine, focusing instead on aspects such as containment and control.
Electroshock and the Scottish shower became strategies for intimidation and punishment; a staff member merely had to dislike a patient's face for an electroshock session to begin.
In the play's final act, a character asks questions that will echo into eternity:
Will the world know what happens here, at the Colônia Hospital in Barbacena-a stain that will shame humanity forever? Will the criminals who dared to build a devil's abode on earth pay for their crimes? Will the families and the society that turned a blind eye, covering up the vilest and most absolute inhumanity with their silence, pay for these crimes? Or will the usual martyrs remain forever trapped in their role as eternal victims? While the world imagined it had freed itself from the Holocaust, a new Auschwitz was erected right in the heart of Brazil-in plain sight, in broad daylight-and will no one pay for it? No one? Since the dawn of the universe and the world, since man broke free from the ape and traded the trees for solid ground, there has never been a night so cruel and infamous; of them all, this is the darkest night.
It is within this context of terror and utter madness that the author navigates a love story. Two young students-hopelessly in love and struggling to find the oxygen to keep hope alive-move amidst political conflicts, crimes against humanity, murders, and filicides.
The work explores a question that has intrigued lovers since time immemorial: to what extent can love survive in an environment dominated by the most absolute and degrading dehumanization? Author
Access dozens of books by Antônio Carlos dos Santos on Amazon: https: //www.amazon.com/author/antoniosantos
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