A Course of Lectures on Dramatic Art and Literature Tr. [From Ueber Dramatische Kunst Und Literatur] by J. Black
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ISBN10: 1150534141
ISBN13: 9781150534140
Publisher: General Books
Pages: 196
Weight: 0.65
Height: 0.44 Width: 9.01 Depth: 5.98
Language: English
ISBN13: 9781150534140
Publisher: General Books
Pages: 196
Weight: 0.65
Height: 0.44 Width: 9.01 Depth: 5.98
Language: English
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1840 edition. Excerpt: ...has been censured as destructive of the unity of action. But whatever contributes to the intrigue or the derume ment must always possess unity. And with what ingenuity and skill the two main parts of the composition are dovetailed into one another! The pity felt by Gloster for the fate of Lear becomes the means which enables his son Edmund to effect his complete destruction, and affords the outcast Edgar an opportunity of being the saviour of his father. On the other hand, Edmund is active in the cause of Regan and Goneril; and the criminal passion which they both entertain for him induces them to execute justice on each other and on themselves. The laws of the drama have therefore been sufficiently complied with; but that is the least: it is the very combination which constitutes the sublime beauty of the work. The two cases resemble each other in the main; an infatuated father is blind towards his well disposed child, and the unnatural offspring, to whom he gives the preference, requite him by the destruction of his entire happiness. But all the circumstances are so different, that these stories, while they make an equal impression on the heart, form a complete contrast for the imagination. Were Lear alone to suffer from his daughters, the impression would be limited to the powerful compassion felt by us for his private misfortune. But two such unheardof examples taking place at the same time have the appearance of a great commotion in the moral world: the picture becomes gigantic, and fills us with such alarm as we should entertain at the idea that the heavenly bodies might one day fall out of their regular orbits. To save in some degree the honour of human nature, Shakspeare never wishes that his spectators should forget that the story takes...
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