Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Comprehending Cinema

Comprehending Cinema

MacDonald, Scott

Paperback

Film & Video ArtFilm StudiesGeneral Art

ISBN10: 019775872X
ISBN13: 9780197758724
Publisher: Oxford University Press
Published: Nov 5 2024
Pages: 576
Weight: 2.18
Height: 1.09 Width: 6.16 Depth: 9.19
Language: English
Comprehending Cinema is a collection of in-depth interviews and panoramic essays that models a generalist approach to modern audiovisual media, prioritizing remarkable cinematic accomplishments that can get lost within our overwhelming modern mediascape.

The 18 interviewees featured in this publication include Oscar-winning documentarians Daniel Lindsay and TJ Martin; Dean Fleischer Camp, whose Marcel the Shell with Shoes On was an internet smash, then an Oscar nominee; canonical filmmakers Guy Maddin and Su Friedrich, still building on remarkable careers; renowned poet (and cineaste) John Ashbery; Irish independent Tadhg O'Sullivan who is entranced by the moon; indefatigable cine-historian, Paul Cronin; LA artist Jennifer West, who collaborated with 11,500 visitors on New York City's High Line to produce a new kind of City Symphony; Penny Lane, whose documentary films continually surprise; a collaborative filmmaking team who provide an immersive motion study of a crowd taking selfies with the Mona Lisa; cine-explorers Lucien Castaing-Taylor and Véréna Paravel; master of the cine-archive Bill Morrison; cine-scientist Erin Espelie; video-essayist Chloé Galibert-Laîné; and the Alloy Orchestra, who entertained silent-film audiences for three decades.

Comprehending Cinema combines engaging conversations with accomplished filmmakers and essayistic explorations of recent contributions to modern media-making by filmmakers creating a tradition of cine-nocturnes, and by filmmakers exploring archival representations of World War 1. The book offers a reading adventure dedicated to opening the door to exciting new kinds of film experience.

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