Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
612-822-4611

  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Communication Cinema Development: From Morosity to Hope

Communication Cinema Development: From Morosity to Hope

Roberge, Gaston

Hardcover

Film StudiesGeneral Sociology

Currently unavailable to order

ISBN10: 8173041490
ISBN13: 9788173041495
Publisher: Manohar Books
Pages: 218
Language: English
Communication departments, with cinema studies are being increas-ingly established in India. This book was written especially for the students of these departments. The book has three interrelated parts. Parts One and Two probe various aspects of communication and cinema, respectively, in the context of so-called development. Part Three exemplifies the arguments of Parts One and Two through analysis of films like the Heart Trilogy of Satyajit Ray, Ganasatru, Shakhaproshaka and Agantuk, two films from Bangladesh, Jesus '71, Beder Meye Josna, and City of Joy.

Cinema plays a vital role in the life of our people. Indian movie stars shine both on the silver screen and in golden politics, and the Indian masses enter the films they watch to step out the other side of the screen into their reality, programmed, as it were, by the dreams which the films gave them. There is need for a serious reflection on the link between communication, cinema and development.

Development is seen in this book as an international project that has little to offer to those most in need. After over forty years of development, on the eve of the year 2000, there are more jobless, poor, sick, and homeless than ever before. These are the facts, indeed the people, that confront us. We must see the limitations of development and create new, much more radical projects. For that, we need a lot of hope. This book seeks to arouse hope in the midst of an awareness of our failures. After all, hope can have no other context.

Also in

Film Studies

View All