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Cinema and Anachronism: The Mummy, the Crystal, the Atlas

Cinema and Anachronism: The Mummy, the Crystal, the Atlas

Paperback

Series: Cine-Aesthetics: New Directions in Film and Philosophy

PhilosophyFilm Studies

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ISBN13: 9798216377184
Publisher: Bloomsbury Academic
Pages: 304
Weight: 1.11
Height: 1.11 Width: 6.00 Depth: 9.00
Language: English

In this book, Daniele Dottorini establishes a starting point toward a theory of the anachronism of cinematic images through an exploration of existing films, theories, and discourses concerning the temporality of images that have shaped the history of cinema.
Dottorini examines the cinematic form as a specific way of working with the temporality of images, emphasizing its medium specificity in its ability to employ a confrontation with the history of both the image itself and the discourses that have reflected on it simultaneously, particularly within the contemporary sphere. The image is always in a sense spectral, phantasmal, and open, he argues - it is a field of tensions which has the unique ability to form connections to other images, epochs, gazes, and visions of the past as it is used time and again in new and different works.

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Film Studies