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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Christian Images and Their Jewish Desecrators: The History of an Allegation, 400-1700

Christian Images and Their Jewish Desecrators: The History of an Allegation, 400-1700

Aron-Beller, Katherine

Hardcover

Series: Jewish Culture and Contexts

Medieval & Renaissance HistoryReligion General General World History

ISBN10: 1512824100
ISBN13: 9781512824100
Publisher: Univ Of Pennsylvania Pr
Published: Jan 9 2024
Pages: 440
Weight: 1.79
Height: 1.13 Width: 6.00 Depth: 9.00
Language: English

In Christian Images and Their Jewish Desecrators, historian Katherine Aron-Beller analyzes the common Christian charge that Jews habitually and compulsively violated Christian images, identifying this allegation as one that functioned alongside other anti-Jewish allegations such as ritual murder, blood libel, and host desecration to ultimately inform dangerous and long-lasting prejudices in medieval and early modern Europe.

Through an analysis of folk tales, myths, legal proceedings, and religious art, Aron-Beller finds that narratives alleging that Jews committed violence against images of Christ, Mary, and the disciples flourished in Europe between the fifth and seventeenth centuries. She then explores how these narratives manifested differently across the continent and the centuries, finding that their potency reflected not Jewish actions per se, but Christians' own concerns about slipping into idolatry when viewing depictions of religious figures. In addition, Aron-Beller considers Jews' own attitudes toward Christian imagery and the ways in which they responded to and rejected--or embraced--such allegations. By examining how desecration allegations affected Jewish individuals and communities spanning Byzantium, medieval England, France, Germany, and early modern Spain and Italy, Aron-Beller demonstrates that this charge was a powerful expression of the Christian majority's anxiety around committing idolatry and their eagerness to participate in practices of veneration that revolved around visual images--an anxiety that evolved through the centuries and persists to this day.

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