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海老诗词选：海老文集-卷四
Paperback
Series: 海老文集, Book 4
Biographies GeneralGeneral Poetry
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Publisher: I Wing Press（易文出&
Pages: 386
Weight: 1.13
Height: 0.86 Width: 6.00 Depth: 9.00
Language: Chinese
我读初中是上世纪五十年代时，中文课分成《文学》和《汉语》两个课本。
《文学》课本是各种形式的文学作品，只记得其中古典文学是占大多数的；而所谓《汉语》课本其实就是纯粹学习语法的课本。
这种学习语言文字的方式是怎么想出来的？是不是好？不得而知。总之现在好像没有这么干的了。
对《汉语》课的厌恶，反而勾起了对《文学》课的兴趣，这大概是把学习语言文字分成两个课本的意想不到的结果。
《文学》课本中，对古典诗词的兴趣培养跟老师要求背书有关。那时候背诵课文对学生是一大负担，尤其是背古文，跟日常用语完全不同，背起来特别吃累。而背一首古诗词，字数少，还顺口押韵，背起来就轻松得多，这也是逐步对古诗词发生兴趣意想不到的结果。
记得第一次试填了一首《沁园春》，除了字数，其他都不符合格律，因此自己识相，在贴出到学校墙报时，标了《仿沁园春》。结果第二天就被一位高中学长在上面写了一首打油诗，大意是要么就是沁园春，要么就不是用沁园春，这个仿沁园春算什么名堂？一瓢冷水！但没想到不久这位学长找到我，向我道歉，说仿也没错，鼓励我从仿开始，慢慢摸到诗词格律的门道。
其实六十多年过去了，我到现在也没有摸到古典诗词格律的门道，如果把写的所有的所谓诗词罗列出来看看，依然还是一个仿字！
用反应古代生活的语言文字和表达方式，反应现代生活中产生的诗意情感，真是太难了！活得越久，就越难以做到这一点，因此也就自己放过自己，不再过度追求形式上的完全相同只反应自己对客观事物的喜怒哀乐就好！
记得16岁时写过一首诗，题在自己学水墨画所画的一匹五云锦身马的画作上：
几回望渡几回空
霆雷难开一腔雄
五云锦身尚驰骋
不按缨韁乘东风
这是第一次被大人说写得还可以的诗，从那之后就逐步有了兴趣，陆续学写了一些，记不得有多少数量。到文革被多次抄家，凡文字&#
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