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Cheap, Quick, & Easy: Imitative Architectural Materials, 1870-1930
Paperback
General ArchitectureGeneral Construction & RenovationArchitecture History
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ISBN10: 1621901572
ISBN13: 9781621901570
Publisher: University of Tennessee Press
Published: Jun 1 2016
Pages: 232
Weight: 1.10
Height: 0.60 Width: 7.90 Depth: 9.90
Language: English
ISBN13: 9781621901570
Publisher: University of Tennessee Press
Published: Jun 1 2016
Pages: 232
Weight: 1.10
Height: 0.60 Width: 7.90 Depth: 9.90
Language: English
In this innovative study, Pamela H. Simpson examines the architectural materials that proliferated between 1870 and 1930. Produced by new technology, promoted by new forms of advertising, and eagerly adopted by a new middle class, these cheap, quick, and easy materials helped to transform building practices in the United States and Great Britain.
As Simpson shows in fascinating detail, rockface concrete blocks, pressed metal imitations of stone, linoleum marble and parquet, and embossed wall coverings made available to the masses a host of ornamental effects that only the wealthy could previously have afforded. But, she notes, wherever these new materials appeared, a heated debate over the appropriateness of imitation followed. Were these materials merely tasteless shams? Or were they economical, durable alternatives that democratically extended the possibilities of ornamentation?
Simpson devotes chapters to each of the various ornamental materials, considering its precursors, invention, production, and distribution. In her final chapter, she traces the history of the aesthetic debate over imitation and analyzes the social meaning of the materials. Far from being bad taste, she concludes, these new ornamental forms reflected modernism, democracy, and progress--some of the most deeply held values of the period.
The Author: Pamela H. Simpson is Ernest Williams II Professor of Art History at Washington and Lee University. The author of numerous articles and exhibition catalogs, she is co-author (with Royster Lyle) of The Architecture of Historic Lexington. She was president, for the 1997-99 term, of the Vernacular Architecture Forum.
Simpson devotes chapters to each of the various ornamental materials, considering its precursors, invention, production, and distribution. In her final chapter, she traces the history of the aesthetic debate over imitation and analyzes the social meaning of the materials. Far from being bad taste, she concludes, these new ornamental forms reflected modernism, democracy, and progress--some of the most deeply held values of the period.
The Author: Pamela H. Simpson is Ernest Williams II Professor of Art History at Washington and Lee University. The author of numerous articles and exhibition catalogs, she is co-author (with Royster Lyle) of The Architecture of Historic Lexington. She was president, for the 1997-99 term, of the Vernacular Architecture Forum.
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