Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Channels of Discourse, Reassembled: Television and Contemporary Criticism

Channels of Discourse, Reassembled: Television and Contemporary Criticism

Allen, Robert

Paperback

Television

ISBN10: 0807843741
ISBN13: 9780807843741
Publisher: University of North Carolina Press
Published: Jun 1 1992
Pages: 428
Weight: 1.44
Height: 1.13 Width: 6.07 Depth: 9.25
Language: English
Since its original publication in 1987, Channels of Discourse has provided the most comprehensive consideration of commercial television, drawing on insights provided by the major strands of contemporary criticism: semiotics, narrative theory, reception theory, genre theory, ideological analysis, psychoanalysis, feminist criticism, and British cultural studies.

The second edition features a new introduction by Robert Allen that includes a discussion of the political economy of commercial television. Two new essays have been added -- one an assessment of postmodernism and television, the other an analysis of convergence and divergence among the essays -- and the original essays have been substantially revised and updated with an international audience in mind. Sixty-one new television stills illustrate the text.

Each essay lays out the general tenets of its particular approach, discusses television as an object of analysis within that critical framework, and provides extended examples of the types of analysis produced by that critical approach. Case studies range from Rescue 911 and Twin Peaks to soap operas, music videos, game shows, talk shows, and commericals.

Channels of Discourse, Reassembled suggests new ways of understanding relationships among television programs, between viewing pleasure and narrative structure, and between the world in front of the television set and that represented on the screen. The collection also addresses the qualities of popular television that traditional aesthetics and quantitative media research have failed to treat satisfactorily, including its seriality, mass production, and extraordinary popularity.

The contributors are Robert C. Allen, Jim Collins, Jane Feuer, John Fiske, Sandy Flitterman-Lewis, James Hay, E. Ann Kaplan, Sarah Kozloff, Ellen Seiter, and Mimi White.

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