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Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Cezanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern Art

Cezanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern Art

Paperback

Series: Study of the Theory, Technique, and Critical Evaluation of M

Art HistoryEuropean ArtGeneral Photography

ISBN10: 0226753069
ISBN13: 9780226753065
Publisher: University of Chicago Press
Published: Apr 15 1986
Pages: 336
Weight: 1.30
Height: 0.89 Width: 6.65 Depth: 9.51
Language: English
Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a technique of originality and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cézanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well.

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Art History