Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Casablanca's Conscience

Casablanca's Conscience

Whalen, Robert Weldon

Hardcover

PhilosophyFilm StudiesGeneral Sociology

ISBN10: 1531504795
ISBN13: 9781531504793
Publisher: Fordham University Press
Published: Feb 6 2024
Pages: 160
Weight: 0.81
Height: 0.50 Width: 6.00 Depth: 9.00
Language: English

A new look at a beloved classic film that explores the philosophical dynamics of Casablanca

Celebrating its eightieth anniversary this year, Casablanca remains one of the world's most endur-ingly favorite movies. It won three Academy Awards for Best Picture, Best Director, and Best Adapted Screenplay. It is still commonly quoted: We'll always have Paris and Here's looking at you, kid And who can forget, You must remember this...a kiss is just a kiss. Yet no one expected much to come of this little film, certainly not its blockbuster stars or even the studio producing it. So how did this hastily cranked-out 1940s film, despite its many limitations, become one of the greatest films ever made? How is it that year after year, decade after decade, it continues to appear in the lists of the greatest movies ever produced? And why do audiences still weep when Rick and Ilsa part? The answer, according to Casablanca's Conscience, is to paraphrase Rick, It's true.

Much has already been written about the film and the career-defining performances of Bogart and Bergman. Casablanca is an epic tale of love, betrayal, and sacrifice set against the backdrop of World War II. Yet decades later, it continues to capture the imagination of filmgoers. In Casablanca's Conscience, author Robert Weldon Whalen explains why it still resonates so deeply. Applying a new lens to an old classic, Whalen focuses on the film's timeless themes--Exile, Purgatory, Irony, Love, Resistance, and Memory. He then engages the fictional characters--Rick, Ilsa, and the others--against the philosophical and theological discourse of their real contemporaries, Hannah Arendt, Dietrich Bonhoeffer, and Albert Camus. The relationships between fictional and histori-cal persons illuminate both the film's era as well as perennial human concerns. Both the film and the work of the philosophers explore dimensions of the human experience, which, while extreme, are familiar to everyone. It's the themes that resonate with the viewer, that have sustained it as an evergreen classic all these years.

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