Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
612-822-4611

  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
The Captive of the Castle of Sennaar: An African Tale

The Captive of the Castle of Sennaar: An African Tale

Cumberland, George
Jr.

Hardcover

General Poetry

Currently unavailable to order

ISBN10: 0773507426
ISBN13: 9780773507425
Publisher: McGill-Queen's University Press
Published: Nov 5 1991
Pages: 416
Language: English

The Captive of the Castle of Sennaar is a utopian novel in two parts. In this scholarly edition, G.E. Bentley, Jr, places George Cumberland's late eighteenth-century work among the earliest historical novels in English and identifies it as a rare example of the Romantic novel. He shows that while each part of the work adopts a very different form of utopia, the two utopias complement and modify one another. He also shows the work to be unusual for the sexual and political freedom encouraged and the Christian fundamentalism advocated, as well as for its setting, in lands never visited by Europeans at the time of writing.

The first part, set on an island in central Africa among descendants of classical Greek civilization, was printed in 1789 but immediately suppressed by Cumberland. A passage describing society everywhere except on the utopian island as oligarchic and unjust was deemed by his lawyer to be potentially seditious; the novel was only published a decade later, and then in revised form. The second part, set in central Africa's Mountains of the Moon among descendants of followers of a fourth-century Christian heretic, is published here for the first time.

Cumberland was a widely cultivated and deeply humane dilettante. A poet, painter, distinguished collector of prints and shells, and scientific inventor, he was passionately concerned with the reform of politics and society. He was also friends with some of the best authors and painters of his time, including William Blake, who encouraged Cumberland's ideals. Bentley describes the similarities between Blake's radical analysis of society and his early ideas on free love, sexuality, slavery, natural religion, and energy and the ideals Cumberland espouses in The Captive of the Castle of Sennaar.

Bentley provides historical and geographical appendixes, textual and commentary notes, and a comparison of Cumberland's work to Simon Berington's The Memoirs of Signor Gaudentino di Lucca. Bentley's edition of The Captive of the Castle of Sennaar will be of interest to Blake scholars and to students and scholars of utopian literature and late eighteenth-century and Romantic literature and culture.

Also from

Cumberland, George

View All

Also in

General Poetry

View All