Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
612-822-4611

  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Breathing Spaces

Breathing Spaces

Soter, Anna

Paperback

General Poetry

ISBN10: 1947465317
ISBN13: 9781947465312
Publisher: Kelsay Books
Published: Feb 28 2018
Pages: 76
Weight: 0.25
Height: 0.16 Width: 5.98 Depth: 9.02
Language: English
After many years of hard and invigorating labor as a teacher and a superb teacher-of-teachers, the poet in Anna Soter now reaches out to us as a steward of how the mind enters the body again. Her work continually seeks currents of momentum to transform our sculpted interiorities into organs of sensation and renewal. In poem after poem she ponders the deep purposes of our physical selves reclaiming their newly discovered territories-as a cat will lick its strong yellow paws when it has strutted its path. These poems strut their own path and ask us (mind in tow) to follow.

-Terry Hermsen, Professor, English Department, Otterbein University, and author of A House for Last Year's Summer

As the title of Anna Soter's lovely Breathing Spaces suggests, her poems engage us in the spaces between dualities: America / Australia, mother / son, child / adult, urban / rural, human/machine, nature / domesticity, competition / relaxation. In one poem this is made vivid in the image of a dog breathing blissfully, his eyes closed, his head outside the window of a moving car. Nature is a source of respite and awe in these poems, the place where one comes of age, is hurt yet survives, where one develops awareness of and respect for blue dust dangers and severed branches that can cut deeply. Birds soar through the collection, rising to metaphor for poets as winged creatures who relearn to fly. The epigraphs between sections hint at deep structure, and the collection's themes are gathered adroitly in the final poem: language, child versus adult preoccupations, human longing, great nature. Kay Bea Jones' painting on the cover literally foreshadows the leaves of poems inside.

-Charlene Fix is the author of Flowering Bruno: A Dography (poems, XOXOX Press), Frankenstein's Flowers (poems, CW Books), and Harpo Marx as Trickster (McFarland). She is an Emeritus Professor of English at Columbus College of Art and Design.

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