Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Brutal Aesthetics: Dubuffet, Bataille, Jorn, Paolozzi, Oldenburg

Brutal Aesthetics: Dubuffet, Bataille, Jorn, Paolozzi, Oldenburg

Foster, Hal

Hardcover

Art Criticism & TheoryArt HistoryArt & Popular Culture

Currently unavailable to order

ISBN10: 0691202605
ISBN13: 9780691202600
Publisher: Princeton University Press
Published: Nov 17 2020
Pages: 296
Weight: 2.70
Height: 0.60 Width: 7.70 Depth: 10.40
Language: English

How artists created an aesthetic of positive barbarism in a world devastated by World War II, the Holocaust, and the atomic bomb

In Brutal Aesthetics, leading art historian Hal Foster explores how postwar artists and writers searched for a new foundation of culture after the massive devastation of World War II, the Holocaust, and the atomic bomb. Inspired by the notion that modernist art can teach us how to survive a civilization become barbaric, Foster examines the various ways that key figures from the early 1940s to the early 1960s sought to develop a brutal aesthetics adequate to the destruction around them.

With a focus on the philosopher Georges Bataille, the painters Jean Dubuffet and Asger Jorn, and the sculptors Eduardo Paolozzi and Claes Oldenburg, Foster investigates a manifold move to strip art down, or to reveal it as already bare, in order to begin again. What does Bataille seek in the prehistoric cave paintings of Lascaux? How does Dubuffet imagine an art brut, an art unscathed by culture? Why does Jorn populate his paintings with human animals? What does Paolozzi see in his monstrous figures assembled from industrial debris? And why does Oldenburg remake everyday products from urban scrap?

A study of artistic practices made desperate by a world in crisis, Brutal Aesthetics is an intriguing account of a difficult era in twentieth-century culture, one that has important implications for our own.

Published in association with the National Gallery of Art, Washington, DC.

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