Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
A Boy Named Sue: Gender and Country Music

A Boy Named Sue: Gender and Country Music

McCusker, Kristine M.
Pecknold, Diane

Paperback

Series: American Made Music

Country & FolkGeneral Gender StudiesGeneral Sociology

ISBN10: 1578066786
ISBN13: 9781578066780
Publisher: University Press of Mississippi
Published: Oct 2 2024
Pages: 232
Weight: 0.84
Height: 0.73 Width: 6.02 Depth: 9.02
Language: English
From the smiling, sentimental mothers portrayed in 1930s radio barn dance posters, to the sexual shockwaves generated by Elvis Presley, to the female superstars redefining contemporary country music, gender roles and imagery have profoundly influenced the ways country music is made and enjoyed. Proper male and female roles have influenced the kinds of sounds and images that could be included in country music; preconceptions of gender have helped to determine the songs and artists audiences would buy or reject; and gender has shaped the identities listeners made for themselves in relation to the music they revered.

This interdisciplinary collection of essays is the first book-length effort to examine how gender conventions, both masculine and feminine, have structured the creation and marketing of country music. The essays explore the uses of gender in creating the personas of stars as diverse as Elvis Presley, Patsy Cline, and Shania Twain. The authors also examine how deeply conventions have influenced the institutions and everyday experiences that give country music its image: the popular and fan press, the country music industry in Nashville, and the line dance crazes that created the dance hall boom of the 1990s.

From Hank Thompson's The Wild Side of Life to Johnny Cash's A Boy Named Sue, from Tammy Wynette's Stand by Your Man to Loretta Lynn's ode to birth control, The Pill, A Boy Named Sue demonstrates the role gender played in the development of country music and its current prominence.

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