Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
612-822-4611

  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Beatdom 14

Beatdom 14

Hollister, Kate
Wills, David S.

Paperback

Literary Criticism

ISBN10: 1494782278
ISBN13: 9781494782276
Publisher: Createspace Independent Publishing Platform
Published: Jan 4 2014
Pages: 132
Weight: 0.41
Height: 0.28 Width: 6.00 Depth: 9.00
Language: English
Beatdom #14 is the movie issue, and it's our biggest one ever. We have interviews with the filmmakers behind some of the best Beat movies, as well as reviews, essays, short stories, artwork, and poetry inspired by movies.

In this issue, David S. Wills takes a look at the first Beat flick, Pull My Daisy, while Nick Meador reviews the latest, Big Sur. Neil Reddy asks why Hollywood hasn't yet gotten Beat-inspired movies right, while Michelle Rudolf contends that they did with Howl (2010). Naturally, we took a look at the recent adaptation of Jack Kerouac's On the Road, with GK Stritch lamenting that Marlon Brando never took the opportunity to play Dean Moriarty. We also have a meta-review of the reviews of Beat movies and a lot of investigation into William S. Burroughs' interest in the movies, as well as their interest in him.

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