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The Art of the Prima Donna and Concert Singer
Hardcover
MusiciansMusic Instruction: GeneralMusic Reference
ISBN13: 9781025282183
Publisher: Tradd Street Press
Published: Feb 14 2026
Pages: 360
Weight: 1.50
Height: 0.81 Width: 6.14 Depth: 9.21
Language: English
The Art of the Prima Donna and Concert Singer is an insightful exploration into the world of professional vocal performance during the early twentieth century. Written by Frederick H. Martens, this work provides a rare glimpse into the techniques, philosophies, and daily lives of the era's most celebrated opera and concert stars. Through detailed interviews and expert analysis, the book explores the multifaceted nature of the singing profession, covering everything from initial training and breath control to the nuances of stage presence and interpretive artistry.
The work features contributions and perspectives from legendary vocalists, offering practical advice that remains relevant to students and professionals today. It delves into the specific challenges of the operatic stage and the refined demands of the concert platform, emphasizing the discipline required to maintain a world-class voice. By documenting the wisdom of great performers, Martens preserves a vital tradition of musical excellence. This book serves as both a practical manual for the aspiring singer and a fascinating historical document for any lover of classical music and operatic history.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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