Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Antiquity Made Whole: The Renaissance Continuation of Ancient Literature

Antiquity Made Whole: The Renaissance Continuation of Ancient Literature

Whittington, Leah

Hardcover

Series: Singleton Center Books in Premodern Europe

Literary CriticismGeneral European History

Currently unavailable to order

ISBN10: 1421455013
ISBN13: 9781421455013
Publisher: Johns Hopkins University Press
Published: Sep 8 2026
Pages: 520
Weight: 1.91
Height: 1.31 Width: 6.00 Depth: 9.00
Language: English

How Renaissance writers reimagined the ancient world, one fragment at a time.

Across the European Renaissance, ancient literature circulated in damaged, incomplete, and fragmentary forms. Missing lines, lost endings, and textual gaps were not obstacles to reading the classics; instead, they were invitations to fill in the blanks. In Antiquity Made Whole, Leah Whittington studies the practice of composing supplements, continuations, and completions composed for such works and places this practice at the center of Renaissance literary culture.

Whittington uncovers a neglected literary archive in which authors set out to restore and revive antiquity through creative means. Though often overlooked in studies of classical transmission and reception, supplements appeared in manuscripts and printed books wherever classical literature was studied and published between 1400 and 1700. These texts were closely tied to the scholarly practices that defined early classical scholarship, sharing methods and materials with textual criticism, translation, and imitation. Studying ancient writers such as Vergil, Plautus, and Cicero alongside the early modern authors who wrote in the gaps, from Maffeo Vegio to Chaucer, Spenser, and Thomas May, Whittington shows how supplement writers worked across historical and fictional registers. Their work helps to refine modern distinctions between literary creativity and historical scholarship and reveals how Renaissance readers understood preservation as an active, generative process.

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