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Against Voluptuous Bodies: Late Modernism and the Meaning of Painting
Hardcover
Series: Cultural Memory in the Present
Art Criticism & TheoryArt History
ISBN13: 9780804748940
Publisher: Stanford University Press
Published: Jan 12 2006
Pages: 416
Weight: 1.45
Height: 1.13 Width: 6.34 Depth: 9.32
Language: English
The aim of this book is to provide an account of modernist painting that follows on from the aesthetic theory of Theodor W. Adorno. It offers a materialist account of modernism with detailed discussions of modern aesthetics from Kant to Arthur Danto, Stanley Cavell, and Adorno. It discusses in detail competing accounts of modernism: Clement Greenberg, Michael Fried, Yve-Alain Bois, and Thierry de Duve; and it discusses several painters and artists in detail: Pieter de Hooch, Jackson Pollock, Robert Ryman, Cindy Sherman, and Chaim Soutine. Its central thesis is that modernist painting exemplifies a form of rationality that is an alternative to the instrumental rationality of enlightened modernity. Modernist paintings exemplify how nature and the sociality of meaning can be reconciled.
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