Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
612-822-4611

  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
After the Party: A Manifesto for Queer of Color Life

After the Party: A Manifesto for Queer of Color Life

Chambers-Letson, Joshua

Hardcover

Series: Sexual Cultures, Book 4

Literary CriticismGeneral Art

ISBN10: 1479890170
ISBN13: 9781479890170
Publisher: New York Univ Pr
Published: Aug 7 2018
Pages: 336
Weight: 1.63
Height: 1.06 Width: 6.00 Depth: 9.00
Language: English

Winner, 2019 ATHE Outstanding Book Award, given by the Association for Theatre in Higher Education

Winner, 2018 Errol Hill Award in African American theater, drama, and/or performance studies, presented by the American Society for Theatre Research

A new manifesto for performance studies on the art of queer of color worldmaking.

After the Party tells the stories of minoritarian artists who mobilize performance to produce freedom and sustain life in the face of subordination, exploitation, and annihilation. Through the exemplary work of Nina Simone, Jorge Ignacio Cortiñas, Danh Vō, Felix Gonzalez-Torres, Eiko, and Tseng Kwong Chi, and with additional appearances by Nao Bustamante, Audre Lorde, Martin Wong, Assata Shakur, and Nona Faustine, After the Party considers performance as it is produced within and against overlapping histories of US colonialism, white supremacy, and heteropatriarchy. Building upon the thought of José Esteban Muñoz alongside prominent scholarship in queer of color critique, black studies, and Marxist aesthetic criticism, Joshua Chambers-Letson maps a portrait of performance's capacity to produce what he calls a communism of incommensurability, a practice of being together in difference.

Describing performance as a rehearsal for new ways of living together, After the Party moves between slavery, the Civil Rights Movement, the first wave of the AIDS crisis, the Vietnam War, and the catastrophe-riddled horizon of the early twenty-first century to consider this worldmaking practice as it is born of the tension between freedom and its negation. With urgency and pathos, Chambers-Letson argues that it is through minoritarian performance that we keep our dead alive and with us as we struggle to survive an increasingly precarious present.

1 different editions

Also available

Also in

General Art

View All