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Forty London Statues and Public Monuments
Paperback
Art HistoryBritish HistorySculpture & Installation
ISBN13: 9781025664637
Publisher: Tradd Street Press
Published: Feb 14 2026
Pages: 204
Weight: 0.64
Height: 0.43 Width: 6.14 Depth: 9.21
Language: English
Forty London Statues and Public Monuments is an insightful survey of the sculptural landscape of the British capital, authored by the renowned art historian Tancred Borenius. This work provides a detailed examination of forty significant memorials and statues that define London's public spaces, offering readers a deep dive into the artistic and historical significance of these landmarks. Borenius meticulously describes each monument, providing context on the subjects represented-ranging from royalty and political figures to military heroes-and the sculptors who brought them to life.
The book serves as both a guide and a scholarly critique, reflecting the aesthetic sensibilities of the early 20th century. It captures the essence of London's civic pride and commemorative culture, highlighting the intersection of art, history, and urban planning. For those interested in art history, British heritage, or the evolution of public art, this volume remains a valuable resource. Borenius's expertise shines through in his clear, authoritative prose, making Forty London Statues and Public Monuments a definitive study of the statues that continue to grace the streets and squares of London.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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